{"id":1019,"date":"2023-01-12T16:48:07","date_gmt":"2023-01-12T15:48:07","guid":{"rendered":"https:\/\/www.rabbiteye.de\/?page_id=1019"},"modified":"2023-01-12T17:00:20","modified_gmt":"2023-01-12T16:00:20","slug":"dummy","status":"publish","type":"page","link":"https:\/\/www.rabbiteye.de\/?page_id=1019","title":{"rendered":"Dummy"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-548\" title=\"012 | 2022 Rabbit Eye\" src=\"https:\/\/www.rabbiteye.de\/rabbiteye_wp\/wp-content\/uploads\/2023\/01\/012_rabbiteye_titelbild_ohne_wording_950px_v2.png\" alt=\"\" width=\"950\" height=\"50\"><\/p>\n<h2 style=\"margin-bottom: 12px;\"><a href=\"2022\/12\/eckel_linseisen_editorial-anschaulichkeit.pdf\">Editorial: Anschaulichkeit. Macht. Wissen. Alternativen<\/a><br \/>\n<span style=\"color: #ffffff;\"><strong>.<\/strong><\/span><\/h2>\n<h2><a href=\"2022\/12\/wehmeier_sucht.pdf\"><strong>Opakes Erkennen?<\/strong><\/a><\/h2>\n<p>Die filmische Inszenierung von Sucht vermittels affektiver Oberfl\u00e4chen<br \/>\n<em>Henrik Wehmeier, Hamburg<\/em><\/p>\n<h2><a href=\"2022\/12\/lieb_demenz.pdf\"><strong>Diskrepanz der Demenz<\/strong><\/a><\/h2>\n<p>Herausforderungen in der Veranschaulichung gesellschaftspr\u00e4gender Krankheitsbilder<br \/>\n<em>Felix Peter Lieb, Mainz<\/em><\/p>\n<h2><a href=\"2022\/12\/hasebrink_filmklappe.pdf\">Die Filmklappe im Film<\/a><\/h2>\n<p>\u00dcberlegungen zu footage als Anschauungsmaterial<br \/>\n<em>Felix Hasebrink, Bochum<\/em><\/p>\n<h2><a href=\"2022\/12\/polywka_lion-king.pdf\">Parallele Realit\u00e4ten<\/a><\/h2>\n<p>Die Anschaulichkeit von Animationstechnologien im Making-of zu Jon Faveraus THE LION KING (USA 2019)<br \/>\n<em>Andrea Polywka, Marburg<\/em><\/p>\n<h2><a href=\"2022\/12\/schloots_tamagotchisierung.pdf\">Die Tamagotchisierung des Selbst<\/a><\/h2>\n<p>Zur Anschaulichkeit von animierten K\u00f6rperdaten<br \/>\n<em>Franziska Schloots, Paderborn<\/em><\/p>\n<h2><a href=\"2022\/12\/polze_screenshots.pdf\">Screenshots in bewegtbildlichen Arrangements<\/a><\/h2>\n<p><em>Anna Polze, Bochum<\/em><\/p>\n<h2><a href=\"2022\/12\/gregor_videowalks.pdf\">Daheimbleiben und die Welt sehen<\/a><\/h2>\n<p>Anschauung, Zerstreuung und mediale Flanerie in YouTube-Videowalks<br \/>\n<em>Felix T. Gregor, Bayreuth<\/em><\/p>\n<h2><a href=\"2022\/12\/diester_oddlysatisfying.pdf\">Oddly satisfying und die Genugtuung der Anschaulichkeit<\/a><\/h2>\n<p>Eine Typologie von Serien-Opening-Credits<br \/>\n<em>Michel Diester, Paderborn<\/em><\/p>\n<p><span style=\"color: #ffffff;\"><strong>.<\/strong><\/span><br \/>\n&nbsp;<\/p>\n<p style=\"text-align: center;\"><a id=\"entry-content-rot\" href=\"?page_id=872\">Impressum<\/a><a id=\"entry-content-rot\"><\/a> | <a id=\"entry-content-rot\" href=\"?page_id=857\">Datenschutzerkl\u00e4rung<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2>&nbsp;<\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Editorial: Anschaulichkeit. Macht. Wissen. Alternativen . Opakes Erkennen? Die filmische Inszenierung von Sucht vermittels affektiver Oberfl\u00e4chen Henrik Wehmeier, Hamburg Diskrepanz der Demenz Herausforderungen in der Veranschaulichung gesellschaftspr\u00e4gender Krankheitsbilder Felix Peter Lieb, Mainz Die Filmklappe im Film \u00dcberlegungen zu footage als Anschauungsmaterial Felix Hasebrink, Bochum Parallele Realit\u00e4ten Die Anschaulichkeit von Animationstechnologien im Making-of zu Jon Faveraus [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":15,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/1019"}],"collection":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1019"}],"version-history":[{"count":12,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/1019\/revisions"}],"predecessor-version":[{"id":1055,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/1019\/revisions\/1055"}],"up":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/15"}],"wp:attachment":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}