{"id":649,"date":"2014-05-14T11:41:58","date_gmt":"2014-05-14T10:41:58","guid":{"rendered":"http:\/\/www.rabbiteye.de\/?page_id=649"},"modified":"2021-12-07T16:12:28","modified_gmt":"2021-12-07T15:12:28","slug":"005-archiv","status":"publish","type":"page","link":"https:\/\/www.rabbiteye.de\/?page_id=649","title":{"rendered":"005 | 2013"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-548\" title=\"005 | 2013 Rabbit Eye\" src=\"rabbiteye_wp\/..\/uploads\/2013\/04\/005_rabbiteye_titelbild.png\" alt=\"005 | 2013\" width=\"930\" height=\"50\" srcset=\"https:\/\/www.rabbiteye.de\/rabbiteye_wp\/wp-content\/uploads\/2013\/04\/005_rabbiteye_titelbild.png 930w, https:\/\/www.rabbiteye.de\/rabbiteye_wp\/wp-content\/uploads\/2013\/04\/005_rabbiteye_titelbild-300x16.png 300w\" sizes=\"(max-width: 930px) 100vw, 930px\" \/><\/p>\n<h2 style=\"margin-bottom: 12px;\"><a href=\"2013\/5\/orth_editorial005.pdf\">Editorial: \u201aFilm in digitalen Medien&#8216;<\/a><\/h2>\n<p>&nbsp;<\/p>\n<h2><a href=\"2013\/5\/stork_filmizitaet.pdf\">Interaktive Inszenierungen<\/a><\/h2>\n<p>Zur Filmizit\u00e4t von Computerspielen<br \/>\n<em>Matthias Stork, Los Angeles<\/em><\/p>\n<h2><a href=\"2013\/5\/schroeter_figurenkonzeption.pdf\"><strong>&#8222;Don&#8217;t show it, play it!&#8220;<\/strong><\/a><\/h2>\n<p>Filmische und nicht-filmische Figurenkonzeption im Computerspiel<br \/>\n<em>Felix Schr\u00f6ter, Hamburg<\/em><\/p>\n<h2><a href=\"2013\/5\/kuhn_noldt_transmedial.pdf\">Stromberg transmedial<\/a><\/h2>\n<p>TV-Serien und serielle Werbeclips im Netz als Form des <em>transmedia storytelling<\/em><br \/>\n<em>Markus Kuhn und Johannes Noldt, Hamburg<\/em><\/p>\n<h2><a href=\"2013\/5\/wildfeuer_interaktiv.pdf\">Der neue interaktive Film<\/a><\/h2>\n<p>Zu hybriden Filmformen im Internet und der Adaption eines Genrebegriffs<br \/>\n<em>Janina Wildfeuer, Bremen<\/em><\/p>\n<h2><a href=\"2013\/5\/mundhenke_erfahrungsraum.pdf\">Der Erfahrungsraum Kino im digitalen Zeitalter<\/a><\/h2>\n<p>Herausforderungen des Dispositivs Kino zwischen medialer Konkurrenz und sozialer Nutzungspraxis<br \/>\n<em>Florian Mundhenke, Leipzig<\/em><\/p>\n<h3 style=\"margin-top: 20px;\">Off-Topic<\/h3>\n<h2><a href=\"2013\/5\/kappes_labyrinthmotiv.pdf\">Das Labyrinthmotiv im Film<\/a><\/h2>\n<p>Raum, Erfahrung und Metaphorik in THE SHINING und PAN\u2019S LABYRINTH<br \/>\n<em>Mirjam Kappes, Hamburg<\/em><\/p>\n<h2><a href=\"2013\/5\/wloszczynska_tagungsbericht.pdf\">Orte des Films. Von der Kino-Ontologie zur Medientopologie<\/a><\/h2>\n<p>Tagungsbericht zur internationalen Konferenz an der Friedrich-Schiller-Universit\u00e4t Jena vom 22. bis 24. November 2012<br \/>\n<em>Katharina Wloszczynska, Weimar<\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a id=\"entry-content-rot\" href=\"?page_id=872\">Impressum<\/a><a id=\"entry-content-rot\"><\/a> | <a id=\"entry-content-rot\" href=\"?page_id=857\">Datenschutzerkl\u00e4rung<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editorial: \u201aFilm in digitalen Medien&#8216; &nbsp; Interaktive Inszenierungen Zur Filmizit\u00e4t von Computerspielen Matthias Stork, Los Angeles &#8222;Don&#8217;t show it, play it!&#8220; Filmische und nicht-filmische Figurenkonzeption im Computerspiel Felix Schr\u00f6ter, Hamburg Stromberg transmedial TV-Serien und serielle Werbeclips im Netz als Form des transmedia storytelling Markus Kuhn und Johannes Noldt, Hamburg Der neue interaktive Film Zu hybriden [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":15,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/649"}],"collection":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=649"}],"version-history":[{"count":7,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/649\/revisions"}],"predecessor-version":[{"id":987,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/649\/revisions\/987"}],"up":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/15"}],"wp:attachment":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}