{"id":922,"date":"2019-04-24T13:12:39","date_gmt":"2019-04-24T12:12:39","guid":{"rendered":"http:\/\/www.rabbiteye.de\/?page_id=922"},"modified":"2021-12-07T16:27:18","modified_gmt":"2021-12-07T15:27:18","slug":"010-2016","status":"publish","type":"page","link":"https:\/\/www.rabbiteye.de\/?page_id=922","title":{"rendered":"010 | 2016"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-548\" title=\"010 | 2016 Rabbit Eye\" src=\"rabbiteye_wp\/..\/uploads\/2016\/12\/010_rabbiteye_titelbild_ohne_wording_950px.png\" alt=\"\" width=\"950\" height=\"50\"><\/p>\n<h2 style=\"margin-bottom: 12px;\"><a href=\"2016\/10\/ritzer-schulze_editorial010.pdf\">Editorial: Genre und Gender<\/a><br \/>\n<span style=\"color: #ffffff;\"><strong>.<\/strong><\/span><\/h2>\n<h2><a href=\"2016\/10\/prokic_neue_frau.pdf\"><strong>Die ,Neue Frau\u2018 als Objekt\/iv<\/strong><\/a><\/h2>\n<p>Das kunstseidene M\u00e4dchen und das Lichtspiel<br \/>\n<em>Tanja Proki\u0107, Dresden<\/em><\/p>\n<h2><a href=\"2016\/10\/schulze_tango.pdf\"><strong><em>Mi noche triste<\/em> und der Genus des Melodramatischen<\/strong><\/a><\/h2>\n<p>Geschlechterordnungen und Genrekonfigurationen im \u201eTransgenre\u201c Tango<br \/>\n<em>Peter W. Schulze, Bremen<\/em><\/p>\n<h2><a href=\"2016\/10\/gradinari_serienmordfilm.pdf\">Genre, Gender und Lust an der Gewalt<\/a><\/h2>\n<p>Zum Serienmordfilm<br \/>\n<em>Irina Gradinari, Berlin<\/em><\/p>\n<h2><a href=\"2016\/10\/ritzer_unbehagen.pdf\">Das Unbehagen der Genres<\/a><\/h2>\n<p>(Re-)Visionen zu Gender, Race und generischer Differenz<br \/>\n<em>Ivo Ritzer, Bayreuth<\/em><\/p>\n<h2><a href=\"2016\/10\/schwanebeck_argo.pdf\">John Wayne geht \u2013 die Hochstapler kommen<\/a><\/h2>\n<p>M\u00e4nnlichkeitspolitik und confidence games in Ben Afflecks ARGO<br \/>\n<em>Wieland Schwanebeck, Dresden<\/em><\/p>\n<h2><a href=\"2016\/10\/henzler_slapstick.pdf\">Die Fee, der Nachtportier und das Baby<\/a><\/h2>\n<p>Das Slapstick-M\u00e4rchen LA F\u00c9E als Kommentar zu K\u00f6rperkomik und Gender<br \/>\n<em>Bettina Henzler, Berlin<\/em><\/p>\n<h2><a href=\"2016\/10\/gambade_rosemarysbaby.pdf\">ROSEMARY\u2019S BABY<\/a><\/h2>\n<p>The Rise of a Satanic Society in the 1970s<br \/>\n<em>Jos\u00e9phine Gambade, London<\/em><\/p>\n<p><span style=\"color: #ffffff;\"><strong>.<\/strong><\/span><\/p>\n<h3><em>Off-Topic<\/em><\/h3>\n<h2><a href=\"2016\/10\/adachi-rabe_martin_hanami.pdf\">\u00dcber Japan reden<\/a><\/h2>\n<p>Gespr\u00e4ch \u00fcber KIRSCHBL\u00dcTEN \u2013 HANAMI von Doris D\u00f6rrie<br \/>\n<em>Kayo Adachi-Rabe, Berlin\/Weimar und Silke Martin, Jena<\/em><\/p>\n<p><span style=\"color: #ffffff;\"><strong>.<\/strong><\/span><\/p>\n<h2>&nbsp;<\/h2>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a id=\"entry-content-rot\" href=\"?page_id=872\">Impressum<\/a><a id=\"entry-content-rot\"><\/a> | <a id=\"entry-content-rot\" href=\"?page_id=857\">Datenschutzerkl\u00e4rung<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editorial: Genre und Gender . Die ,Neue Frau\u2018 als Objekt\/iv Das kunstseidene M\u00e4dchen und das Lichtspiel Tanja Proki\u0107, Dresden Mi noche triste und der Genus des Melodramatischen Geschlechterordnungen und Genrekonfigurationen im \u201eTransgenre\u201c Tango Peter W. Schulze, Bremen Genre, Gender und Lust an der Gewalt Zum Serienmordfilm Irina Gradinari, Berlin Das Unbehagen der Genres (Re-)Visionen zu [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":15,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/922"}],"collection":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=922"}],"version-history":[{"count":7,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/922\/revisions"}],"predecessor-version":[{"id":997,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/922\/revisions\/997"}],"up":[{"embeddable":true,"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=\/wp\/v2\/pages\/15"}],"wp:attachment":[{"href":"https:\/\/www.rabbiteye.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}